Troilus and Cressida
- William Shakespeare
- Anncona Media
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Troilus and Cressida is a tragedy by William Shakespeare, believed to have been written in 1602. It was described by Frederick S. Boas as one of Shakespeare's problem plays. The play ends on a very bleak note with the death of the noble Trojan Hector and destruction of the love between Troilus and Cressida.
Throughout the play, the tone lurches wildly between bawdy comedy and tragic gloom, and readers and theatre-goers have frequently found it difficult to understand how one is meant to respond to the characters. However, several characteristic elements of the play (the most notable being its constant questioning of intrinsic values such as hierarchy, honour and love) have often been viewed as distinctly "modern.”
The play's puzzling and intriguing nature has meant that Troilus and Cressida has rarely been popular on stage, and neither during Shakespeare's own lifetime nor between 1734 and 1898 is there any recorded performance of the play.
The play was also condemned by the Victorians for its explicit sexual references (though the sex, while explicitly and importantly present, is portrayed satirically and highly negatively).
It was not staged in its original form until the early 20th century, but since then, it has become increasingly popular, especially after the First World War, owing to its cynical depiction of immorality and disillusionment.
William Shakespeare (1564-1616) was an English poet, playwright and actor, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. His extant works, including some collaborations, consist of about 38 plays, 154 sonnets, two long narrative poems, and a few other verses. His plays have been translated into every major living language and are performed more often than those of any other playwright.
Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the 19th century. His plays remain highly popular today and are constantly studied, performed, and reinterpreted in diverse cultural and political contexts throughout the world.
In 2016, celebrations will commence in the United Kingdom and across the world to honour The Bard's 400th anniversary.